Milija Belić is a painter, sculptor, and art theorist. Born in Yugoslavia in 1954, he lives and works in Paris. He earned a PhD in Art and Art Sciences from the University of Paris I Panthéon-Sorbonne in 1994. He has been a member of AICA (International Association of Art Critics) since 1999 and a member of the Committee of the Salon Réalités Nouvelles in Paris since 2016. He is the founder and president of the Association CARREMENT Art Construit (Paris) and curator of the annual exhibition Carrément, held in Paris, Sydney, and Sabadell since 2014. He also curated the exhibitions Kineticand Kinetic II between 2017 and 2022.

Belić has published several books, including Apology of Rhythm (L’Harmattan, Paris, 2002); Omcikous (L’Age d’Homme, Lausanne, 2004); The Challenge of Modernity (Izazov modernosti, Arhipelag, Belgrade,2017); Ecce Homo (Čigoja, Society for Cultural Cooperation France - Serbia, Belgrade, 2019); Ars longa (Nadežda Petrović Art Gallery, Čačak, 2020), among others. His works are held in numerous public and private collections, including the Bibliothèque nationale de France, Paris; the Satoru Sato Museum, Tome (Japan); the Museum of Contemporary Art, Belgrade; the Municipal Art Fund of Gentilly; Galerie Plexus, Chexbres (Switzerland); Galerie New Moment, Belgrade; Galerie Moderne, Budva (Montenegro); MACS, Museo di Arte Contemporanea Statale, Santa Maria Capua Vetere (Italy); Spazio Vitale, Aversa (Italy); and the Bowdoin College Museum of Art, Brunswick, USA, among others.

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