.jpeg)
Artist in focus
Oussamah Ghandour
Oussamah Ghandour (b. 1978, Lebanon) is a contemporary artist whose practice moves fluidly between Beirut, Paris, Toronto, and New York. His work explores the tension between chaos and structure, instinct and discipline, that liminal space where freedom discovers meaning through its own boundaries.
Through expressive and subtly surreal compositions, Ghandour engages with the dualities that define human experience: love and loss, stillness and motion, vulnerability and strength. Rooted in abstraction yet charged with deep emotional resonance, his paintings invite contemplation rather than conclusion. Each canvas becomes a meditation on perception, presence and the delicate equilibrium between surrender and control.
Exhibited internationally from New York, London, Paris, Beirut, Paris and Venice, Ghandour embodies a quiet rebellion, offering a dialogue that is both introspective and universal: a reflection on what it means to be at once bound and boundless
Amri Aminov (b.1966, Pendjikent, Tajikistan) is a Franco-Tajik sculptor known for his mastery of classical techniques and his deeply humanistic approach to form. Working primarily in bronze and marble, his practice bridges Central Asian heritage, Russian academic training, and a contemporary European sensibility.
Aminov began exhibiting internationally in 1985, and his sculptures have since entered numerous private collections across the United States, Canada, Europe, and Southeast Asia. His work is held in several major public institutions, including the St. Petersburg Academy of Fine Arts Museum, the Israel National Museum in Tel Aviv, the City Museum of Florida, and the State Museum of Pendjikent in Tajikistan. Hi is UNESCO’s Ambassador for Peace.
Based in France, Aminov has maintained a long-standing presence in Paris, exhibiting regularly since1995 in Saint-Germain-des-Prés and at various galleries, including Galerie Flak, Galerie Art et Bijoux, Galerie Feuillantine, and Galerie Mouvance on Place des Vosges.
Milija Belić is a painter, sculptor, and art theorist. Born in Yugoslavia in 1954, he lives and works in Paris. He earned a PhD in Art and Art Sciences from the University of Paris I Panthéon-Sorbonne in 1994. He has been a member of AICA (International Association of Art Critics) since 1999 and a member of the Committee of the Salon Réalités Nouvelles in Paris since 2016. He is the founder and president of the Association CARREMENT Art Construit (Paris) and curator of the annual exhibition Carrément, held in Paris, Sydney, and Sabadell since 2014. He also curated the exhibitions Kineticand Kinetic II between 2017 and 2022.
Belić has published several books, including Apology of Rhythm (L’Harmattan, Paris, 2002); Omcikous (L’Age d’Homme, Lausanne, 2004); The Challenge of Modernity (Izazov modernosti, Arhipelag, Belgrade,2017); Ecce Homo (Čigoja, Society for Cultural Cooperation France - Serbia, Belgrade, 2019); Ars longa (Nadežda Petrović Art Gallery, Čačak, 2020), among others. His works are held in numerous public and private collections, including the Bibliothèque nationale de France, Paris; the Satoru Sato Museum, Tome (Japan); the Museum of Contemporary Art, Belgrade; the Municipal Art Fund of Gentilly; Galerie Plexus, Chexbres (Switzerland); Galerie New Moment, Belgrade; Galerie Moderne, Budva (Montenegro); MACS, Museo di Arte Contemporanea Statale, Santa Maria Capua Vetere (Italy); Spazio Vitale, Aversa (Italy); and the Bowdoin College Museum of Art, Brunswick, USA, among others.
Renata Adler is a visual artist trained at Emerson College in Boston. She holds an International Baccalaureate in Photography and Arts from Switzerland and pursued additional studies at the School of Visual Arts at Parque Lage. After more than ten years working as a journalist at Veja magazine and TV Globo, she returned to the visual arts with a practice defined by transformation and material experimentation.
She presented the solo exhibition O Percurso dos Planetas at Parque das Ruínas in 2017. She also took part in Monumental Arte at Marina da Glória with the installation Camaleões e o Caminho da Transformação, invited by curator Marc Pottier. In 2019, she presented Uma Contínua Transformação at Casa de Cultura Laura Alvim and participated in the group exhibition Circular - Arte na Praça Adolpho Bloch (3rd edition) in São Paulo. Her work was featured by Cirque du Soleil in 2022, and in 2023 she inaugurated O Mergulho at Farol Santander, accompanied by the publication of the book O Mergulho. During the exhibition’s circulation in 2024, she was highlighted on Canal Arte1, expanding her national visibility.
In 2025, Adler opened the space RENATA ADLER ARTE in Jardim Botânico, under the curatorship of Mariana Bahia, and participated in the Salon d’Automne in Paris. Her research investigates metamorphosis, adaptation, and states of transition, bringing together chemical reactions, light, interactive installations, and the chameleon as a central metaphor for passage, identity, and continuous change.
Victor Gingembre (b. 1988) is a French sculptor and architect whose monumental works have been exhibited in Paris, London, New York, Los Angeles, and Milan.
Trained at the PSL Paris–Malaquais School of Architecture and the Polytechnic School of Milan, where he earned a master’s degree in 2015 specializing in advanced stone-cutting technologies, Gingembre’s practice is rooted in the dialogue between structure and emotion. Early collaborations with Christian de Portzamparc, Philippe Starck, and Richard Martinet profoundly informed his spatial sensibility and his approach to sculptural form.
Working within a classical register, Gingembre revisits enduring themes - the female body, mythological narratives, and the tension between realism and abstraction, to reveal the equilibrium between representation and essence. His works evoke both permanence and movement, anchored in material mastery yet imbued with a contemporary sensitivity.
Extending his research into the realm of design, Gingembre also conceives modular furniture systems in which interdependent elements achieve a seamless harmony between aesthetic purity and functional adaptability.
Today, drawing upon his architectural foundation, Victor Gingembre devotes himself fully to sculpture and design, collaborating with Italian marble masters, artisans, and developers to integrate his creations into ambitious architectural and artistic projects across the world.
Vladimir Dunjić, (b. 1957, Serbia) is a renowned painter celebrated for his luminous technique and poetic realism. A graduate of the Faculty of Fine Arts in Belgrade under Professor Mladen Srbinović, he has been a member of the Serbian Association of Fine Artists (ULUS) since 1982 and is recognized as one of the leading figures in contemporary Serbian painting.
Throughout his career, Dunjić has exhibited widely in ex-Yugoslavia and abroad, earning numerous awards and inclusion in prominent public and private collections. His paintings — at once figurative and introspective — blend subtle emotion, vibrant color, and dreamlike composition. Cycles such as Veils, Nine Lives, Procrustes Museum, and Vertigo reveal a world where moments linger in silence and light becomes memory.
Vladimir lives and works in Belgrade.
Partners
